ESSAYS & REVIEWS
Monitor: Surveillance, Data, and the New Panoptic, exhibition essay, 2021. Institute of Contemporary Art, Portland, ME.
“Interior Landscape”, catalogue essay, Gail Spaien, Nancy Margolis Gallery, NYC, NY
DOUBLE TROUBLE, exhibition essay, 2021. Institute of Contemporary Art, Portland, ME.
Parallax/Geography, exhibition essay, Parallax/Geography, 2021. Institute of Contemporary Art, Portland, ME.
Walking the Forest Imaginary: a breath between us, essay, International Journal of Education Through Art, Volume 17 Number 1, June 2020
Acoustic Resonance, catalogue essay for ACOUSTIC RESONANCE, Exhibition, ICA at MECA, Portland, ME (p 40-47)
A review of Deaf Republic by Ilya Kaminsky in The Cafe Review, Summer 2020.
Spaces in Which to Float: Megan and Murray McMillan's Transportive Journeys, catalogue essay for Some Things We Can Do Together: Megan and Murray McMillan, Exhibition (2020), ICA at MECA, Portland, ME.
Walking as Praxis, The Brooklyn Rail, March 2020 Critic's Page selected by Art Historian Jessamine Battario
A review of Daniela Rivera's Labored Landscapes in the Chart, Winter 2020.
Chronicle Of Mud: Cross-Disciplinary Conversation Extends Our Perception In The Anthropocene published in Leonardo, MIT Press Journals, 2020.
A review of W.S. Merwin's The Mays of Ventadorn in The Cafe Review, Summer 2019.
Oracle Script: Jen Bervin's Silk Poems, in PAJ: A Journal of Performance and Art, Volume 41 Issue 1, January 2019
Catalogue Essay for yes is the only living thing, a photo book by Alexandra Silverthorne
A review of On Walking On, by Cole Swensen in The Cafe Review, Winter 2019.
Yoshua Okón's ORACLE at Colby Museum of Art, reviewed in The Chart, Spring 2018
Susan Howe's Debths, reviewed in The Cafe Review. Spring 2018
A review of Anne Carson's collection of twenty-two chapbooks, FLOAT in The Cafe Review. Fall 2017.
An essay, Map & Universe, in Living Maps Review, a journal for theory and practice in critical cartography and participatory social mapping, No 3 (Fall 2017).
A review of Donna Haraway's new book, Staying with the Trouble, Making Kin in the Chthulucene in The Chart, Summer 2017
A studio visit with Katarina Weslien to discuss her work, Collecting Water, in The Chart, September/October 2016.
A review of Bright Scythe, Patty Crane's translations of Tomas Tranströmer in the Summer 2016 issue of the Cafe Review.
A review of LEAP BEFORE YOU LOOK: Black Mountain College 1933-1957, exhibition curated by Helen Molesworth and Ruth Erickson at the ICA Boston, in The Chart.
LINES of FLIGHT: Jimmy Riordan’s translations An essay in The Chart explores translation, journeying, nomadic thinking and creativity in relation to Jimmy Riordan's artwork inspired by Francis Jammes' "Le Roman du Lièvre".
A review of Jorie Graham's 2015 selected poems, "From the New World, Poems 1976–2014," in The Cafe Review, Volume 26, Summer 2015
A review of Sinéad Morrissey's 2013 book "Parallax" in The Cafe Review, Volume 26, Winter 2015
"Sharpshooter", after Winslow Homer's 1863 painting of the same name, selected by Megan Grumbling in the Portland Press Herald, Deep Water column, January 19, 2020.
"The Artist" featured in the Maine Sunday Telegram/Portland Press Herald, Deep Water: Maine poems edited by Gibson Fay-LeBlanc. February 11, 2018
Poets & Writers 2017 Maureen Egan Writers Exchange Contest first runner-up for poetry. "These poems are musical and elliptical, part song and part prayer, they meet the world and mirror it back" - judge Cynthia Cruz
Three poems featured on The New Guard's BANG! February 2016, Full Buck Moon, Hunter Moon, Eclipse
Be Wilder: A Word Portland Anthology: five poems in this 2015 anthology of readers from the Word Portland reading series.
Two new poems on LA FOVEA, 2014, The Dream of Thread, The Disappearing Act
A new poem on the Wesleyan University Press blog, 2014: TRANSLATION (A poem for two voices)